screenwriter | tv writer | playwright | songwriter |
Synopsis Although there is no historic record of Irving Berlin and Scott Joplin ever having met, it’s not unlikely that the legendary songwriters’ paths might have crossed in that district of New York City known in the early part of the 20th century as Tin Pan Alley. That’s the premise of this intriguing musical play, set into motion when the aging Joplin happens into young Berlin’s office in search of a publisher for his opera, TREEMONISHA. The ensuing musical discourse highlights influential and emotional moments from each of their lives. This bracing, original piece contrasts the ironic similarities and differences between the men to the sustaining surge of musical abundance. While Joplin received a conservatory education as the prodigy of a father born into slavery, it was Berlin, the Russian immigrant who couldn't read music, who had his first international hit song at the age of 23. What becomes clear is that both Berlin and Joplin possessed musical gifts beyond measure and shared a passionate humanity, both of which are beautifully showcased and illuminated in THE TIN PAN ALLEY RAG. |
BLOOMBERG.COM - John Simon
Read the full review here. The likable Tin Pan Alley Rag, slightly bigger than a vest-pocket musical, has the unassuming charm of a winsome pet that gently nuzzles you. ...Some of it is factual, much of it invented, in a partly humorous, partly sentimental way. It is, to quote a formulation by Anatole France, “a story truer than the truth,” as if to say: This is how we wish it, how it ought to have happened. LOS ANGELES TIMES - David C. Nichols Mark Saltzman’s rumination on Berlin, Joplin and the American dream has laudable aims beyond nostalgic diversion. It operates as a colloquy between parallel giants, posited against the current of their era ...beautifully rendered musical selections that eschew a revue-style “greatest hits” program... panoramic... excellent. HOLLYWOOD REPORTER - Jay Reiner In The Tin Pan Alley Rag, Mark Saltzman has devised a highly entertaining and original show about two of America’s most celebrated composers, one an immigrant Jew with a passion for writing hits and the other a black man with a passion for writing art. |
NY 1 - Roma Torre It’s tunefully original ...there are flashes of brilliance! BLOOMBERG.COM - John Simon The likable Tin Pan Alley Rag, slightly bigger than a vest-pocket musical, has the unassuming charm of a winsome pet that gently nuzzles you. ...Some of it is factual, much of it invented, in a partly humorous, partly sentimental way. It is, to quote a formulation by Anatole France, “a story truer than the truth,” as if to say: This is how we wish it, how it ought to have happened. FINANCIAL TIMES - Brendon Lemon The drama’s treatment of the racial aspect of music addresses a seminal topc in US cultural history: exactly how did African and European influences blend to create American popular music? The greatest chroniclers of jazz have been unable to answer that question, so I was happy when Saltzman allowed his notions to emerge from the specificities of Berlin and Joplin’s stories rather than from spculative pronouncements. PHILADELPHIA INQUIRER - Douglas J. Keating Musically impressive...fine stuff well-staged and sung by an able ensemble with feeling and energy. |
PHILADELPHIA WEEKLY - J. Cooper Robb It’s another musical. So who cares? You should. In the vein of Death of a Salesman, Angels in America and Ragtime, The Tin Pan Alley Rag examines art, death, racism and the pursuit of the American Dream. PHILADELPHIA TRIBUNE - Kimberly C. Roberts The profound emotional exchanges between the two musicians are juxtaposed against the happy sounds of ragtime. Aside from being a profound history lesson, The Tin Pan Alley Rag is a singing, stomping good time. FLORIDA SUN-SENTINEL - Bill Hirschman More than a hit parade, The Tin Pan Alley Rag dazzles with ideas as well as music...A thoughtful play illuminated by glorious music...You’re almost certain to come away joyously surprised and thoroughly entertained. |
Michael Therriault as Berlin and Mark Ledbetter as Mooney |
HOLLYWOOD REPORTER - Frank Shenk
Anyone remotely interested in American Popular music will find much to enjoy in this spirited production from the Roundabout Theatre Company. ORANGE COUNTY (CA) REGISTER - Eric Marchese A crowd-pleasing piece of entertainment... Tin Pan Alley Rag works, delivering compact biographies of both men along with generous samples of their catalogs in a colorful package. BACKSTAGE WEST - Les Spindle A thoughtful glimpse at the dreams of creative artists and the ways in which their art and lives are intertwined. ...delightfully entertaining ...sprinkled with unforgettable tunes. KNX Radio - LOS ANGELES - Tom Hattan Filled with great fun and great music. Unless I’m very much mistaken, there could well be a long and happy future for The Tin Pan Alley Rag. |
PASADENA WEEKLY - William Campbell
Mark Saltzman’s Tin Pan Alley Rag has IT, that untouchable variable, that magical force of theater that seemingly blankets an entire show in a winning, can’t-go-wrong sheen, and infuses it with a near inexhaustible level of energy and entertainment. The result is a marvelous and engaging theater event that is wholly confident, fast-paced and enchanting from start to finish....The stuff of theatrical miracles! PALM BEACH POST - Hap Epstien That rare commodity, a highly entertaining evening with plenty to say. How exhilarating to leave a theater with a few songs on your lips and a few thoughts on your brain. |
FIVE Philadelphia Barrymore
Award Nominations Best Musical Best Choreography Best Direction of a Musical Best Actor in a Musical (Rick Wasserman as Irving Berlin) WINNER Best Supporting Actor in a Musical (Joel Blum as Ted Snyder) FIVE Los Angeles Ovation Award Nominations Best Musical Best Writing of a World Premiere Play or Musical Best Direction Best Choreography Best Actor in a Musical (David Norona as Irving Berlin) |
Winner of THREE 2006
Florida Carbonell Awards Best Musical Best Direction of a Musical Best Musical Direction And also nominated for Best Actor in a Musical Best Supporting Actress in a Musical Best Set Design Best Choreography Best Sound Design |